Resources - Public Art Archive

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Public Art in Private Development Database

The Public Art Archive is proud to announce it will now house the Public Art in Private Development (PAPD) Database, originally built and maintained by art lawyer and subject expert Sarah Conley Odenkirk.[/vc_column_text][nectar_btn size=”jumbo” open_new_tab=”true” button_style=”regular-tilt” button_color=”Accent-Color” solid_text_color_override=”#ffffff” icon_family=”default_arrow” url=”https://stage.explore.publicartarchive.org/papd-database/” text=”Access the database” margin_top=”25″][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”15″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]

[/vc_column_text][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”25″ overlay_strength=”0.3″ enable_shape_divider=”true” shape_divider_color=”#00c1cc” shape_divider_position=”top” shape_divider_height=”25″ bg_image_animation=”none” shape_type=”fan”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”1026″ alignment=”” animation=”Fade In” border_radius=”none” box_shadow=”none” max_width=”100%”][/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]

The Future History of Public Art

WESTAF’s 17th Cultural Policy Symposium

Proceedings from WESTAF’s 17th cultural policy symposium, The Future History of Public Art, are now available online. This gathering of public art practitioners and allied professionals convened in Honolulu, Hawai’i on November 5-7, 2017. The event was organized by WESTAF in collaboration with Forecast Public Art and the Hawai’i State Foundation on Culture and the Arts.

The symposium provided a significant platform for high-level discourse to explore existing challenges alongside emerging strategies for the successful growth of the public art field. Symposium attendees traveled from six countries to take part in the convening, including New Zealand, Australia, Canada, the United States, Brazil, and Argentina. This convening was organized as a way to reflect on the challenges public art practitioners face and propose ways in which the field can develop to provide a stronger infrastructure in support of the advancement of the field as a whole.

[/vc_column_text][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][/vc_column_inner][/vc_row_inner][nectar_btn size=”jumbo” open_new_tab=”true” button_style=”regular-tilt” button_color=”Accent-Color” icon_family=”fontawesome” url=”https://s3-us-west-2.amazonaws.com/publicartarchivelg/WESTAF_2017+The+Future+History+of+Public+Art+Symposium_final.pdf” text=”Access the online document” icon_fontawesome=”fa fa-file-text-o”][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”15″ overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]

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Cultural Equity in the Public Art Field

[/split_line_heading][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Accent-Color” icon_family=”none” url=”https://www.americansforthearts.org/sites/default/files/2.27%20AFTA_PARC_cultural%20equity_v7.pdf” text=”Americans for the Arts Public Art Resource Center”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-2″ icon_family=”none” url=”http://createquity.com/issue/equity/” text=”Createquity: A Healthy Arts Ecosystem”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-1″ icon_family=”none” url=”https://www.giarts.org/building-racial-equity-public-art-funding” text=”Grantmakers in the Arts: Building Racial Equity in Public Art Funding”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Accent-Color” icon_family=”none” url=”http://www.seattle.gov/documents/Departments/Arts/Downloads/Reports/2018_9-WHITEPAPER-PublicArtBootCamp-SCREEN.pdf” text=”Seattle Office of Arts & Culture: Capacity for Building Racial Equity in Public Art”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-2″ icon_family=”none” url=”https://www.lacountyarts.org/sites/default/files/pdfs/lacac17_ceiireport_final.pdf” text=”LA County Arts Report: Cultural Equity and Inclusion Initiative”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-1″ icon_family=”none” url=”https://www.policylink.org/sites/default/files/report_arts_culture_equitable-development.pdf” text=”PolicyLink: Creating Change through Arts, Culture, and Equitable Development: A Policy and Practice Primer”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Accent-Color” icon_family=”none” url=”https://www.semanticscholar.org/paper/Public-art-and-the-promotion-of-racial-equity-Day/c91d5a05ee504dde9e033fe9832419062238f2f0″ text=”Public art and the promotion of racial equity by Kristen Day”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-2″ icon_family=”none” url=”https://forecastpublicart.org/portfolio/equity/” text=”Forecast Public Art: Equity Portfolio”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-1″ icon_family=”none” url=”https://forecastpublicart.org/design-for-equity/” text=”Forecast Public Art: Design for Equity”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Accent-Color” icon_family=”none” url=”https://www.nrpa.org/parks-recreation-magazine/2020/october/painting-the-way-to-an-equitable-built-environment-through-public-art/” text=”Painting the Way to an Equitable Built Environment Through Public Art: National Recreation and Park Association”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-2″ icon_family=”none” url=”https://www.gsa.gov/about-us/newsroom/news-releases/gsa-expands-diversity-and-access-in-public-art-program-01312022″ text=”GSA Expands Diversity and Access in Public Art Program”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-1″ icon_family=”none” url=”https://podcasts.apple.com/us/podcast/public-art-and-equity-with-amina-kache-cooper/id1514861191?i=1000535167050″ text=”Podcast: Public Art and Equity with Amina Kache Cooper”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Accent-Color” icon_family=”none” url=”https://www.youtube.com/watch?v=QfH0OCg4uok” text=”Stop Settling for Bronze: New Public Art for Equity | Laura Sievert | TEDxNormal”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-2″ icon_family=”none” url=”https://www.chapmanculturalcenter.org/site/user/files/1/ArtsEquityToolkit.pdf” text=”Neighbourhood Arts Network: Arts & Equity Toolkit”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-1″ icon_family=”none” url=”https://nasaa-arts.org/nasaa_research/state-arts-agency-equity-strategies/” text=”NASAA: State Arts Agency Equity Strategies”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Accent-Color” icon_family=”none” url=”https://contemporaryand.com/magazines/marsha-reid-public-sculpture-and-cultural-equity/” text=”Marsha Reid: Public Sculpture and Cultural Equity (Contemporary And (C&))”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-2″ icon_family=”none” url=”https://www.futureofsmallcities.org/news/artist-is-the-city” text=”The Future of Small Cities Institute: “The Artist is the City: Public Art as Community Activation” 10/5 Recap + Video”][/vc_column_inner][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”regular-tilt” button_color=”Extra-Color-1″ icon_family=”none” url=”https://racstl.org/about-rac/a-creative-vision-for-st-louis/advance-equity-through-the-arts/” text=”Advance Equity Through the Arts Position the Arts and Culture Sector as a Leader in Advancing Equity (Regional Arts Commission of St. Louis)”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ 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Public Art Journals and Magazines

Public Art Courses

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Something Good Happened Here. Installation by Anna Masters.

[/vc_column_text][/vc_column_inner][vc_column_inner column_padding=”padding-2-percent” column_padding_position=”all” background_color=”#ffffff” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”small_depth” column_border_radius=”none” column_link_target=”_self” width=”3/4″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]MA Public Art & Performative Practices – London Metropolitan University, UK
Applications now open for Sep 2023 start. Click here for more details.

This 12-month MA degree course encourages a practical and industry-minded approach to Public Art, exploring the different forms that this take: from outdoor artworks to, more broadly, participatory and performative practices. From our central London location, the course runs collaborations with international art organisations, which so far have included: Tate Modern, The Line, City of London Corporation, Artichoke, the ICA, The Monument to the Great Fire of London, Ca’ Pesaro in Venice, Museum of Public Space in Bologna, Fontys University in Tilburg and RMIT in Melbourne. The course is designed to develop career paths for artists, curators and facilitators interested in any creative medium (visual art, performance, video, installation, sculpture and digital art), with a specific focus on public engagement at both a local and a global level.

During this course, students engage with a range of aspects in the field of Public Art, including creative skills, curatorial practice, fundraising, project management and public art theories. This MA is one of the founding members of the International Masters Network for Art in Public Space, developing links with leading masters in this area, across the world. The course also enjoys a unique connection with CREATURE (London Met’s own research centre for Creative Arts, Cultures and Engagement), particularly with its strand Public-Face: through this, MA graduates are invited to continue to be part of a thriving research community upon completion of their degree.

Tutors on the course are all internationally recognised industry professionals, approaching this subject from different angles and areas of expertise. The course leader is also offering anyone interested in this MA degree course a complimentary portfolio/project review session.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]

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Additional Public Art Resources

Percent for Art: New Legislation Can Integrate Art and Architecture

Richard Collins

WESTAF published this report in 1976 as a resource for percent for art information and examples of existing legislation. The document is now quite old but illustrates WESTAF’s long-term interest in public art.[/vc_column_text][nectar_btn size=”jumbo” open_new_tab=”true” button_style=”regular-tilt” button_color=”Accent-Color” solid_text_color_override=”#ffffff” icon_family=”default_arrow” url=”https://s3-us-west-2.amazonaws.com/publicartarchivelg/2017+Public+Art+Symposium+Readings/RichardCollins_PercentForArts.pdf” text=”Access the publication.” margin_top=”25″][/vc_column][/vc_row]